Bad Advice?

When it comes to writing, what does bad advice look like?

Surprisingly, it can look just like good advice. The trick is being able to tell the difference – and that also includes knowing when any given piece of advice is useful and when it is problematic. Below is an article on some classic advice and how it might not be useful, depending, we’d argue, on when you read it in your writing career.

For instance, it’s a common notion that a writer should only work on one piece at a time. Great way to finish a project, right?

However, just as many writers work on multiple projects to keep motivated and excited about their work. Novel one until you hit a wall, then a short story, then back to novel one, or novel two, and so on.

So which is it? Write one thing at a time, or switch between projects?

The answer really depends on the individual writer.

Litreactor – 10 Worst Pieces of Advice



Write What you Know – Tiny Masters

Over at Creative Nonfiction there’s a great post explaining Susan Orlean’s notion of Tiny Masters.

It’s a brilliant idea and the perfect answer for writers who feel, each time they see the advice write what you know, that they don’t know ‘anything.’ In short, you probably do, you just haven’t realised it yet.

Here’s an example of how it works, taken from the Creative Nonfiction link above:

Make a list of 10 things of which you’re a master. Include talents, skills, hobbies, qualities of character. I’ve created many lists over the years, and they surprise me every time: Making enchilada sauce. Building fires. Finding beach glass. Crossing rivers. Writing thank you notes. Collecting maps. Procrastinating. Teaching tricks to my dog.

Next, you incorporate a mastery into a story or character.  It’s pretty much that easy!

Tiny Masters is useful because the kind of ‘smaller’ detail you’re using will add depth to your work, and because you the writer are confident in that mastery, your writing will naturally have an assured tone or ring of truth to it.

Now, to answer those of you thinking, ‘wait a minute, I’m writing in a speculative fiction genre and I don’t personally know anything about so and so’ (maybe it’s ‘space’) then not to worry.

One answer might be that while you don’t know a tonne about space, you do know about cooking. And so in your story, your character is a cook. Your knowledge of cooking becomes part of the authenticity, and what you choose to do with space, remains the speculative aspect.

Try it out!